Margaret De Patta | Community of Creatives
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  • Alma Lavenson
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  • William "Bill" Kirsch
  • William Morehouse

How it Happened

  • GoodYear Tires 1964
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Click on an image for a larger view and the complete gallery

Margaret De Patta
1903 – 1964
De Patta attended the Academy of Fine Arts in San Diego, Cali­fornia, the Cali­fornia School of Fine Arts in San Fran­cisco, and the Art Students League in New York. She studied metal­smithing with Armenian-​born artisan Armin Hairenian and by 1935 had her own studio and was selling jewelry through a craft gallery in San Fran­cisco. She attended Moholy-Nagy’s Institute of Design in Chicago ( 1940 – 41) and there met and married Eugene Bielawski. They returned to San Fran­cisco where they began a limited production oper­ation of her jewelry which was sold in many national outlets; In 1951 she and Bielawski moved to Napa, Cali­fornia and attempted to open a school based on the Bauhaus philosophy. This never mate­ri­alized and in 1956 De Patta stopped manu­fac­turing and returned to making one-​of-​a-​kind pieces. She was one of the most recog­nized modern jewelers winning numerous local and national awards. She also helped to found the San Fran­cisco Metal Arts Guild.

Exhi­bition

Space-​Light-​Structure: The Jewelry of Margaret De Patta
26 February 4, 2012 — May 13, 2012

Presented in conjunction with the Museum of Arts and Design in New York, the Oakland Museum of Cali­fornia presents a retro­spective exhi­bition on the work of pioneer jeweler Margaret De Patta. A seminal figure in the American Modernist Jewelry movement, De Patta was born in 1903 and moved to the Bay Area in 1923. Distin­guished as one of the few American jewelers whose work and ideas were allied to the evolving ideas presented in the modern art movement, De Patta’s work was heavily influ­enced by the Construc­tivists and features archi­tec­tural forms with simple lines, structure, and often movable parts. Space-​Light-​Structure: The Jewelry of Margaret De Patta features more than 60 jewelry pieces as well as ceramics, flatware, photographs, pictograms, and newly released archival material. OMCA holds the largest collection of De Patta’s work, most of which was donated by her husband, Eugene Bielawski, after the artist’s untimely death in 1964.

Co-​Organized by the Museum of Arts and Design, New York, and Oakland Museum of California.Space-Light-Structure: The Jewelry of Margaret De Patta is made possible in part by support from the Terra Foun­dation for American Art, the Rotasa Foun­dation, the National Endowment for the Arts, and the Center for Craft, Creativity & Design at University of North Carolina, Asheville. The OMCA presen­tation is made possible by addi­tional support from the Oakland Museum Women’s Board and the OMCA Art Guild.

museumca​.org/​d​e​p​a​tta

Museum of arts and design
2 Columbus Circle, New York, NY 10019

Space, Light, Structure
Tuesday, June 5, 2012 to Sunday, September 23, 2012

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