Gene Tepper | Community of Creatives
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San Francisco Visual Creative Community 1945 to 1970

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Artists

  • Alma Lavenson
  • Ben Langton
  • Benny Buffano
  • Claire Falkenstein
  • Clayton Lewis
  • Dorr Bothwell
  • Edith Heath
  • Gene Tepper
  • Hayward King
  • Homer Page
  • Imogen Cunningham
  • Jack Allen
  • Jerry Burchard
  • Joan Brown
  • Leland Rice
  • M. "Hal" Halberstadt
  • Manuel Neri
  • Margaret De Patta
  • Marget Larsen
  • Nicolas Sidjakov
  • Philip Hyde
  • Rondal Partridge
  • Ruth Asawa
  • William "Bill" Garnett
  • William "Bill" Kirsch
  • William Morehouse

How it Happened

  • GoodYear Tires 1964
alcoa

Gene Tepper Indus­trial Designer/​Artist

Artist Statement

Creative activ­ities are selfish plea­sures, inspired by curiosity, the need for discovery and essen­tially for my personal grat­i­fi­cation. It is the process of explo­ration and the prospect of producing work, leading to further inves­ti­gation, which moti­vates me. Because I can not conceive of any work totally devoid of context, most of my work is “idea driven”. Frequently the concept is consciously intro­duced as a chal­lenge, other times the idea is discovered as the work evolves. It is the act of making which I find most satis­fying. The completed work is material evidence of the memory of the act. I studied painting and sculpture in New York City at The Art Students League and the New School for Social Research from 1937 to 1940. During that period my teachers included: John Sloan, Morris Kantor, Vaclav Vytlacil, and Jose de Creeft. During five years of military service in World War II, I continued drawing and painting and showing in various exhi­bi­tions in New York and New Orleans. In 1948 I moved to San Fran­cisco and started an indus­trial design practice. I continued painting and exhibiting until 1954 when the attention and commitment required to run a design office precluded allo­cating the time necessary to produce any serious work. In the mid ‘90s, 40 years later, with reduced design consulting activity, I began print­making and started painting again. Since 1998 I have been devoting full time to art-​related projects. In the summer of 2001 I made a 55-​day round trip voyage on a freighter from Savannah, Georgia to the Mediter­ranean. I had the time, and a comfortable place to work, and produced a series of small gouache paintings about this very nostalgic voyage. Currently I am painting and print­making in my studio in Sausalito and working on several pieces of wood sculpture in my shop in Bolinas.
Gene Tepper 2007

Partial List of Clients Served
Alcoa Corpo­ration, Pittsburg, Penn­syl­vania
Ampex Corpo­ration, Redwood City, Cali­fornia
Atomic Energy Commission, San Fran­cisco, Cali­fornia
Burroughs Corpo­ration, San Diego, Cali­fornia
Cali­fornia Canners & Growers, San Fran­cisco, Cali­fornia
Ceremony Brandy, Cali­fornia
Charmwick, Inc., Burlingame, Cali­fornia
City of Fresno Municipal Center, Fresno, Cali­fornia
Crown-​Zellerbach, San Fran­cisco, Cali­fornia
Diablo Supplies (a Xerox Company)
Diamond Inter­na­tional Corpo­ration, San Fran­cisco, Cali­fornia
First Federal Savings & Loan Asso­ci­ation, Fresno, Cali­fornia
Fidelity Savings & Loan Asso­ci­ation, Oakland, Cali­fornia
F & P Foods, San Fran­cisco, Cali­fornia
Freemark Abbey Winery, St. Helena, Cali­fornia
Fresno Air Terminal, Fresno, Cali­fornia
General Electric, Phoenix, Arizona
Gray Lines, San Fran­cisco, Cali­fornia
Guild Wine Company, San Fran­cisco, Cali­fornia
Hewlett-​Packard, Palo Alto, Cali­fornia
IBM, Wash­ington, D.C.
Indus­trial Indemnity Company, San Fran­cisco, Cali­fornia
Interface Mech­a­nisms (Intermec), Seattle, Wash­ington
Inter­na­tional Paper Company, Burlingame, Cali­fornia
Lockheed Space & Missile Division, Sunnyvale, Cali­fornia
Marcona Corpo­ration, San Fran­cisco, Cali­fornia
Memorex, Santa Clara, Cali­fornia
Mid-​West Research Institute, Kansas City, Missouri
Murison Label Company, San Jose, Cali­fornia
Novar Division, General Tele­phone & Elec­tronics, Palo Alto, Cali­fornia
Omark Indus­tries, Portland, Oregon
Radi­ation, Inc., Melbourne, Florida
Ralph’s Markets, Los Angeles, Cali­fornia
Simpson Forest Products, Seattle, Wash­ington
Solar Energy Research Institute, Golden, Colorado
Standard Oil Company of Cali­fornia, San Fran­cisco, Cali­fornia
Stanford Research Institute, Palo Alto, Cali­fornia
Sylvania Electric Products, Sunnyvale, Cali­fornia
Treasure Valley, Idaho
Ultek Division, Perkin-​Elmer Corpo­ration, Palo Alto, Cali­fornia
Unicorn Systems, Inc., Cupertino, Cali­fornia
Unimark Corpo­ration, San Ramon, Cali­forni
United States Steel Corpo­ration, Pittsburg, Cali­fornia
Victor Calcu­lator Company, Chicago,
Illinois Watkins-​Johnson Company, Palo Alto, California

Awards & Exhibits
Good Design Award, Museum of Modern Art, New York City 1951
Society of Artists & Art Directors, Award of Excel­lence 1955
Undicesmia Triennale di Milano, Diploma di Collab­o­razione 1957
Society of Artists & Art Directors, Award of Excel­lence 1957
Society of Artists & Art Directors, Award of Excel­lence 1958
Art Directors Club of Los Angeles, Certificate of Merit 1959
Decima Triennale di Milano, Diploma di Collab­o­razione 1960
Wescon Award of Herit 1962
20th Exhi­bition of Adver­tising & Editorial Art in the West, Certificate of Merit
Wescon Award of Merit 1964
Wescon Award of Excel­lence 1966
Wescon Award of Excel­lence 1967
Bio 3, selected exhi­bition, 3rd Biennial of Design, Ljublijana, Yugoslavia 1968
Wescon Award of Merit 1968
Design Review (3) Excel­lence of Design 1969
Creativity ’70, Certificate of Distinction 1970
Wescon Award of Merit 1970
Wescon Award of Excel­lence 1970
Commu­ni­ca­tions 20, Certificate of Distinction 1970
The Institute of Grounds­manship, Inter­na­tional Exhi­bition 1970
San Fran­cisco Commu­ni­ca­tions 1971
Commu­ni­ca­tions Arts Annual 1972
San Fran­cisco Commu­ni­cating Arts (5) Certifi­cates of Excel­lence 1972
Package Design Magazine 1972
Commu­ni­ca­tions Arts Magazine, Award of Excel­lence 1972
American Institute of Graphic Arts (pack­aging) 1973
San Fran­cisco Commu­ni­cating Arts (3) Certificate of Merit 1973
Cali­fornia Design, Pasadena Museum 1973

Publi­ca­tions: Work illus­trated in:
Living for Young Home­makers
Arren­de­mento Moderno (Milan)
Publicite (Britain)
Interior
Design Inte­riors
Indus­trial Design
Product Engi­neering
Design News
Design Quar­terly Etc.
Etc.

Exhi­bi­tions :
1941 Delgado Museum* (41st Annual), New Orleans
1942 Inde­pendent Artists Gallery (New York), Sculpture
1944 National Academy, NY, United Seamen’s Service
1945 3rd Annual Exhibit, United Seamen’s Service
1946 4th Annual Exhibit, United Seamen’s Service
1949 68th Annual Painting Exhi­bition, SF AA * *, SFMA * * *
1949 13th Annual Water­color Exhi­bition SF AA, SFMA
1950 14th Annual Water­color Exhi­bition SFAA, SFMA
1950 14th Annual Drawing and Print Exhi­bition SFMA
1950 S.F. Art Festival
1951 M.H. de Young, Group Show
1954 Annual Water­color Exhi­bition SF AA, SFMA
1994 – 2003 Various Open Studio Exhibits
Furniture ‚and Product Design, Exhibits and Awards include the following:
1954 Museum of Modem Art, NY “Good Design Exhibit“
1956 Decima Triennale di Milano, Milan Italy “
1957 Undicesima Triennale di Milano, Milan Italy
1972 USIA Exhibit, Poznan, Poland
1955 – 1990-​Various Trade & Tech­nical Exhibits

Awards:
1941 Delgado Museum, New Orleans * Water Color Prize
1944 Inter­na­tional United Seamen’s Service Prize
1945 Inter­na­tional United Seamen’s Service Prize
1946 Inter­na­tional United Seamen’s Service Prize
1950 S.F. Art Festival, City of San Fran­cisco, Purchase Prize
* Now, New Orleans Museum of Art
* * San Fran­cisco Art Asso­ci­ation
*** Now, San Fran­cisco Museum of Modem Art (MOMA)

Education:
Art Students League of New York
U. S. Maritime Academy, Kings Point, L.I., New York New School for Social Research, New York

Employment:
Robert Kayton Displays, 1939 Military Service: U.S. Army, U.S. Navy,
U.S. Maritime Service, 1940 – 1945
The Displayers, Inc., New York, 1945 – 1947
Walter Landor Asso­ciates, San Fran­cisco, 1949
Gene Tepper Asso­ciates, 1951 – 1963
Tepper + Stein­hilber Asso­ciates, Inc., 1963 – 1974
Gene Tepper/​Design, 1974 – 1980
Tortilla Machine, Inc. (Restaurant Devel­opment) ,
Pres­ident, 1979 – 1981 Gene Tepper/​Design, 1981-​Present

Teaching Expe­rience:
Advisory Board, Indus­trial Design Department,
San Jose State Cali­fornia School of Fine Arts
Patri School of Art Funda­mentals
Rudolph Scha­effer School of Design
Adult Education Program, San Fran­cisco State University Academy of Art, San Francisco

Member­ships:
Indus­trial Designers Society of America Member, Board of Directors, 1971 – 1972
Indus­trial Designers Society of America, Vice Pres­ident, 1973 – 1974
San Fran­cisco Society of Commu­ni­cating Arts

Special Activ­ities:
Chairman, Trans­portation Seminar, National IDSA Annual Meeting, Wash­ington, D.C., October 1969
Panel Member, National Endowment for the Arts,
Wash­ington, D.C., 1970 Speaker, USIA Design Seminar, Poznan, Poland, 1972
Speaker, USIA Design Seminar, Frankfurt, Germany, 1972
Speaker, USIA Design Seminar, Stuttgart, Germany, 1972
Speaker, National Human Factors Annual Meeting, Los Angeles, 1972
Designers Advisory Committee, State of Cali­fornia Product Design & Marketing Council, 1973 – 1974
Partic­ipant, Alter­native Energy Seminar, New York Botanical Garden, 1974
Juror, Cali­fornia Design ’76, Los Angeles, 1976

One Comment to “Gene Tepper”

  1. Joe Sperske | May 17th, 2011 at 9:33 pm

    Nice to hear that my old Tortilla Machine friend is still alive and kicking!

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