Edith Heath | Community of Creatives
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San Francisco Visual Creative Community 1945 to 1970

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Artists

  • Alma Lavenson
  • Ben Langton
  • Benny Buffano
  • Claire Falkenstein
  • Clayton Lewis
  • Dorr Bothwell
  • Edith Heath
  • Gene Tepper
  • Homer Page
  • Imogen Cunningham
  • Jack Allen
  • Jerry Burchard
  • Joan Brown
  • M. "Hal" Halberstadt
  • Manuel Neri
  • Margaret De Patta
  • Marget Larsen
  • Nicolas Sidjakov
  • Philip Hyde
  • Rondal Partridge
  • Ruth Asawa
  • William "Bill" Garnett
  • William "Bill" Kirsch
  • William Morehouse

How it Happened

  • GoodYear Tires 1964
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Click on an image for a larger view and the complete gallery

Edith Heath
founded her own business in the 1940s and for 60 years she was the driving force at Heath Ceramics. Her dinnerware combines a craft-​based heritage with modern lines in a way that has been prized by many, including Frank Lloyd Wright who spec­ified Heath ceramics as the dinnerware of choice for his projects.

The second of seven children in the Kiertzner family, Edith grew up on an Iowa farm. In 1931 she enrolled at the Chicago Normal School (later renamed Chicago Teachers College), where students were required to study art education. Heath excelled in this subject area and after grad­u­ating, enrolled part-​time at the Art Institute of Chicago, taking classes in the morning and teaching in the afternoon. An invi­tation to work at a Federal Art Project (FAP) training school led to Heath’s acquain­tance with the ideas of leading artists, including Bauhaus designer László Moholy-​Nagy. It was also during this program that she met her husband, Brian Heath.

In 1941, Brian Heath became regional director for the American Red Cross and the couple moved to San Fran­cisco. On the drive to the West Coast, they stopped in New Mexico, where Edith Heath would make an important discovery. The work of one of the most influ­ential Native American potters – Maria Martinez – capti­vated Heath and she knew at that moment that ceramics was the work she wanted to pursue.

In San Fran­cisco, Heath taught art at the Presidio Hill School while auditing classes at the Cali­fornia School of Fine Arts (later renamed San Fran­cisco Art Institute). Access to pottery wheels was limited, so she and Brian converted a treadle-​powered sewing machine into a wheel. Soon after, Heath success­fully peti­tioned University of Cali­fornia, Berkeley to host a class on ceramic chem­istry, which began her lifelong exper­i­men­tation with clay and glaze. Working with a kiln in her basement, Heath became an expert in how different clay types affected aesthetic qual­ities of her wares. Her mastery of this science combined with her modern sensi­bil­ities for proportion and form, made Heath a master ceramist.

In 1944, The Cali­fornia Palace of the Legion of Honor hosted a one-​woman show of Heath’s work. This exhibit led to a meeting with a buyer for Gump’s and Heath was soon making dinnerware sets for the San Fran­cisco retailer. Two years later, Heath was one of ten artists invited to exhibit her work at the San Fran­cisco Gift Show, where she met Nelson Gustin, who offered to represent her work nationwide and guar­antee to purchase a year’s output. Heath Ceramics was born.

In 1947, Edith and Brian purchased the space in Sausalito, Cali­fornia where Heath Ceramics is still located today. Operated by new owners Robin Petravic and Catherine Bailey since 2003, Heath Ceramics is one of the few mid-​century American potteries still in existence.

http://​www​.heathce​ramics​.com/​g​o​/​h​e​a​th/

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